Icon of Virgin Mary Lakkosketiotissa

Crafted through an advanced electroforming process — a contemporary method of precisely depositing metal — this relief icon presents a refined interpretation of a sacred theme, rendered in a sculptural language reminiscent of late Byzantine collections.

The copper surface gains volume through a controlled interplay of forms and textures, echoing the sophistication of 19th-century Russian galvanoplastic liturgical objects. The faces of the Mother and Child are painted in oil, using a restrained palette and expressions evocative of Athonite monastic compositions.

Framed in deeply toned, textured oak, the piece carries the presence of a museum-grade collectible. It stands as a work that could seamlessly appear in a thematic catalog dedicated to post-Byzantine iconography — an exceptional acquisition for collectors of sacred art and for those seeking the echo of spiritual heritage expressed through a contemporary technique.